Elevator decoration has European style, modern style, Chinese style and other styles. Various decorative styles can be made, and the stainless steel door cover can better meet this multi style decorative effect drawing. The stainless steel elevator door pocket can be processed into various patterns, colors and styles.

電梯門(mén)套用的不銹鋼型號和顏色一般有201、304砂板，有色板以及雪花砂 噴砂 亂紋 拉絲紅古銅、青古銅、黃古銅，水波紋，防大理石，仿木紋等。

The models and colors of stainless steel used for elevator door covers generally include 201 and 304 sand plates, color plates, snow sand blasting random lines, drawing red bronze, green bronze, yellow bronze, water ripple, anti marble, imitation wood grain, etc.

201材質(zhì)不銹鋼含錳高些含鎳低有磁性，容易生銹，耐腐蝕性差，表面程暗黑的亮色，成色差些，便宜。304由于含鎳高，高于201材質(zhì)。304不繡綱不生銹是因為其基體內加入12.5%以上的鉻，絡(luò )能使鋼表形成一層致密穩定的鈍化膜，所以不生銹，加上含鎳高所以抗腐蝕性好。

201 stainless steel has higher manganese content, lower nickel content, magnetism, easy to rust, poor corrosion resistance, dark bright color on the surface, poor color and low price. The price of 304 is higher than that of 201 due to its high nickel content. 304 stainless steel does not rust because more than 12.5% chromium is added into its matrix, which can form a dense and stable passive film on the steel surface, so it does not rust. In addition, it has high nickel content, so it has good corrosion resistance.

在電梯裝飾的整個(gè)過(guò)程中，要多運用圖案元素，如圖案之間的疊加和交叉，各種圖案的重疊，這些都不能只占空間上，也能起到很好的視覺(jué)效果。同時(shí)，要充分利用現代裝飾材料和理念，結合加工工藝，突出空間層次感和立體感。

In the whole process of elevator decoration, we should make more use of pattern elements, such as the superposition and intersection between patterns and the overlap of various patterns, which can not only occupy space, but also play a good visual effect. At the same time, we should make full use of modern decorative materials and concepts, combined with processing technology, and highlight the sense of spatial hierarchy and three-dimensional sense.

空間色彩應主要滿(mǎn)足功能和精神的雙重要求，其目的是使人感到舒適、溫暖和。在功能要求方面，要仔細分析每個(gè)空間的應用性質(zhì)，如：住宅小區，應以舒適、溫馨為目的，以色彩對比度弱為目的。在電梯空間的色彩渲染設計中，要體現感、節奏感、節奏感和健身性。在團結中求變化，在變化中求統一。

Space color should mainly meet the dual requirements of function and spirit, and its purpose is to make people feel comfortable, warm and safe. In terms of functional requirements, we should first carefully analyze the application nature of each space. For example, residential areas should aim at comfort and warmth and weak color contrast. In the color rendering design of elevator space, we should reflect the sense of security, rhythm, rhythm and fitness. Seek change in unity and unity in change.

在裝飾電梯門(mén)套時(shí)，還需注意以下幾點(diǎn)：

When decorating the elevator door pocket, you should also pay attention to the following points:

(1)形式的運用

(1) Application of form

在電梯裝飾的整個(gè)過(guò)程中，要多運用圖案元素，如圖案之間的疊加和交叉，各種圖案的重疊，這些都不能只占空間上，也能起到很好的視覺(jué)效果。

In the whole process of elevator decoration, we should make more use of pattern elements, such as the superposition and intersection between patterns and the overlap of various patterns, which can not only occupy space, but also play a good visual effect.

(2) 色彩的使用

(2) Use of color

空間色彩應主要滿(mǎn)足功能和精神的雙重要求，其目的是使人感到舒適、溫暖和。在功能要求方面，要仔細分析每個(gè)空間的應用性質(zhì)，如：住宅小區，應以舒適、溫馨為目的，以色彩對比度弱為目的。

Space color should mainly meet the dual requirements of function and spirit, and its purpose is to make people feel comfortable, warm and safe. In terms of functional requirements, we should first carefully analyze the application nature of each space. For example, residential areas should aim at comfort and warmth and weak color contrast.

(3) 運用質(zhì)感

(3) Apply texture

通過(guò)不同材質(zhì)材質(zhì)材質(zhì)的對比，創(chuàng )造出審美要求、審美趣味和審美習慣。用新材料，或圖案，也可以通過(guò)其他手段來(lái)豐富空間層次，達到美化的效果。

Through the comparison of different materials, we can create aesthetic requirements, aesthetic tastes and aesthetic habits. With new materials or patterns, we can also enrich the spatial level by other means to achieve the effect of beautification.

(4) 使用照明

(4) Use lighting

電梯空間是一個(gè)公共場(chǎng)所，使用者有一定的不確定性，流動(dòng)性比較大，停留時(shí)間短。在整個(gè)照明設計中，應以實(shí)用性為主，大氣為輔。

Elevator space is a public place. Users have certain uncertainty, large mobility and short residence time. In the whole lighting design, practicality should be the main, supplemented by atmosphere.

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